You will see that dsp reverbs you can get them louder without screwing the mix. Perhaps some programmers can shed some light on this.īefore starting to complain please do yourself a favour and compare any hd/tdm/uad reverb with a similar native one and check out the diference in a reallllll mix scenario. In 1994 i would understand that, but this day?!!!! How can a dsp plugin (i notice this in modulations and reverbs more) sound better than native progamming when we are speaking about programing. I honestly do not know how could even lexiverb and reverb one in protools 5 sound way better concerning realism and separation from source than any native reverb to this day. I see a lot of guys doinf great work with plugins but someone who hasnt even used a 480 before should ommit the part comparing relab to hardwareįor me and since protools 5 only tdm/uad reverbs sound separated from the source. Its unique analog/digital circuit generated iconic pitch change, delay, and modulation effects in previously impossible combinations with a sound that’s prized to this day. It’s just as capable for adding harmonies or slapback delays to vocals.
Often used for spreading guitars, fattening snares and applying subtle, organic de-tuning to synths.
EVENTIDE H910 PLUGIN GEARSLUTZ PC
The best DAWs for PC and Mac The best audio interfaces: our pick of the top I/O. Introduced in the mid-’70s, the Eventide H910 Harmonizer was the first commercially available digital audio effects unit. The H910 plug-in was painstakingly modeled after every section of the analogue signal chain to recreate the unique sonic characteristics of the original, say its makers. Hardware is 10 times better in every way. A plugin effect is a signal processing device such as a reverb, delay, compressor or EQ, while plugin instruments take in, amongst other things, synthesizers, samplers, drum machines and sample-based recreations of real-world guitars, drum kits, pianos, etc. I used a real 480 and a 300l several weeks ago and comparing to relab 480 is ridiculous.
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